Vortex Gaming

· Discussing the general evaluation and personal satisfaction with the movie 'The Bride of All Hallows' Eve'.
· Mentioning that while there were satisfying aspects, there were also many disappointing parts, and analyzing the reasons for mixed reviews.

· Citing Hagiwara's big jump as the personally best scene, explaining the natural direction and emotional impact.
· Analyzing Hagiwara's big jump, the heroine's princess carry, and escape scenes from a skyscraper and helicopter, which are mentioned as turning points in the movie.
· Explaining Hagiwara's process of gaining courage by recalling his brother's last words during the final bomb defusal scene.

· Explaining the emotional impact of the scene where Chihaya makes the big jump with Hagiwara's encouragement.
· Analyzing the connection between the motorcycle action movie's ending leading to an aerial battle and the title 'The Fallen Angel'.
· Explaining the part where Chihaya's true feelings are revealed in the final scene, and the depiction suggesting Hagiwara might be developing feelings for Chihaya.
· Speculating that when asked about Chihaya's ideal type, Hagiwara's response about Chihaya was his true intention.

· Analyzing two red brick scenes related to Chihaya (the scene saving children, the scene where women's bodies switch).
· Explaining that the scene where women's bodies switch was not just fan service but a hint implying a switch with the motorcycle rider.
· Mentioning how the romantic comedy elements between Hagiwara and Matsuda are resolved at the end.
· Analyzing the tension in the Angel vs. Lucifer confrontation scene and the cinematic atmosphere of the scene where Conan is attacked.

· Expressing disappointment that there were fewer bomb or action scenes than expected.
· Offering a positive evaluation of maintaining the 'Conan Without Explosions' concept, while noting the difference in expectations between fans who anticipate large-scale explosions.
· Presenting opinions on either lowering expectations for explosion scale in Conan movies or shifting towards emphasizing human drama.
· Praising the production team's policy of preventing stagnation through new attempts rather than repeatedly using the same characters.

· Pointing out the feeling that dots didn't connect and that Chihaya's main story started too quickly as disappointing aspects.
· Criticizing the lack of smooth transitions between scenes and the many sections without dialogue.
· Mentioning the insufficient depiction of the relationship between Hagiwara and Matsuda, and the abrupt transitions to flashback scenes of the police academy classmates.
· Analyzing that if the relationship between Hagiwara and Matsuda had been depicted more deeply, the connection to the final big jump scene would have been strengthened.

· Arguing that the issue wasn't featuring the police academy classmates more, but rather needing more scenes showing how precious her sibling was to Chihaya for her main story.
· Suggesting that more scenes symbolizing the relationship between Hagiwara and Chihaya should have been added.
· Expressing disappointment over the lack of in-depth analysis of the culprit's side and wishing for a deeper exploration of the case itself.

· Agreeing with the assessment that the mystery elements of the case were weak, explaining the structure makes it difficult to predict the culprit.
· Pointing out that contrary to the promotion of 'Angel vs. Lucifer', Lucifer turned out to be an unexpected character.
· Arguing that if Chihaya and Hagiwara were included in the suspect list, adding other characters would have been more logical.
· Expressing disappointment with the development where the culprit is too obviously revealed.

· Explaining the reason for having three culprits in connection with the title 'The Fallen Angel'.
· Suggesting that the case structure and the final scene are related to the title.
· Raising the possibility that the characters from the original 'Fallen Angel' served as motifs for the current suspects.
· Speculating that Gosho Aoyama might have had Hagiwara and Matsuda in mind during character design.

· Mentioning that the title 'The Fallen Angel' was decided before the movie's production and analyzing related settings.
· Explaining the setting implying Hagiwara became a fallen angel as Lucifer's driver.
· Expressing certainty that Asagi is a character based on Elena, and suggesting that the bespectacled researcher, Omae, might be derived from sushi.
· Analyzing the possibility that the designers Ryu and Kiriko were set up as the final villains who resent the Miyano sisters' research.

· Analyzing the direction in the final romantic comedy scene between the mother and Chihaya where the 'Fallen Angel' concept is revealed.
· Explaining the direction where the room turns white as Chihaya is embraced by her mother and how the title is resolved.
· Re-mentioning the disappointment that Chihaya's main story started too quickly as a drawback of this scene.
· Analyzing Hagiwara lifting Chihaya as being connected to the 'angel's pose'.

· Analyzing that as a result of making two consecutive police movies without established couples, the romantic comedy direction in this installment lost its impact.
· Suggesting that it was too early to feature Chihaya as the main character and that there might have been a lack of script material.
· Assuming that Akai and Jodie could have avoided the consecutive embrace scenes.
· Arguing that more of the other characters' stories should have been built up before featuring Chihaya as the main character.

· Evaluating the scene where Hagiwara lifts Chihaya and the scene where Chihaya's true feelings are revealed as good scenes, but regretting the timing.
· Pointing out that this scene appeared before the relationship between Hagiwara and Matsuda was clearly established.
· Mentioning the disappointment of fans who expected a deeper relationship between Hagiwara and Matsuda due to the voice actor change.
· Arguing that the relationship between Hagiwara and Chihaya should have been explored more deeply.

· Criticizing the very awkward connection between the final scene and the ending credits.
· Explaining the sense of dissonance when the ending song starts after Hagiwara puts Chihaya down, and Chihaya looks at her mother, recalling Hagiwara and Matsuda.
· Mentioning that despite the good lyrics of the ending song, its short length was disappointing.
· Raising criticism about the timing of the ending credits, which interfered with emotional immersion.

· Re-emphasizing the disappointment that the ending credits started too early.
· Criticizing the placement of Hagiwara and Chihaya's romantic comedy scene at the end, and the omission of Hagiwara when commissioning the theme song.
· Feeling Ran's appearance was unnecessary, arguing that the stories of characters around Chihaya or Ryu should have been explored more deeply instead.
· Stating that the character selection was wrong and suggesting it would have been better to feature Chihaya as the main character in the 31st movie.

· Feeling that this year, the scenes in the trailer differed significantly from the actual movie.
· Expressing disappointment that scenes used in the trailer were changed in the actual movie.
· Overall, evaluating it as a movie that was satisfying but had too many disappointing scenes.
· Nevertheless, indicating a willingness to visit the theater again.